– something I wrote about Suede, and glam rock, to help aid and justify a delicate day after the night before. Also, I’ve been meaning to write something on here for the past few days as I realise some of my friends are now looking at this! Hey! How you doing!
I am so surprised I am even able to write this right now. It is half past 4 and all I’ve done since returning home this afternoon is sit very still, occasionally scribbling something down in my notebook, such as ‘I am going to have a cup of tea and then I will read Othello.’ Turns out Othello is pretty long and written in a form of jibberish. Writing down these little affirmations in the hope that I will be inspired to start getting on the productivity thing- whereas in fact I feel much better about myself today lying on my bed, half asleep, half-chewing my gum from last night, coming in and out of naps.
The other day at the gym I was absolutely sweating and beaming out all the endorphins imaginable, and I had a really clear thought where I went, ‘Suede!’ I’ve never written anything about Suede, (except tiny pleas/love letters and explicit drawings of Brett Anderson) so I thought it was good if I could explore them through my writing in order to discover the undiscoverable and unexplainable magic of the whole thing, man. (I am still feeling pretty baked.)
Aside: (I was listening to Suede earlier to rekindle the old obsession, but as I write this I am listening to none other than 3 Feet High and Rising, the best album ever recorded. This had to be mentioned.)
So, let’s begin with Exhibit A.
Beautiful, androgynous Brett. I saw Suede last winter in Nottingham with my dad and he still has that compelling, captivating stage presence that just makes you hooked on his movements and the lyrics he’s singing, (Brett Anderson, not my dad.)
I searched his Wikipedia page in order to unravel the mystery a little for the sake of the blawg, and the anonymous and undderated writers of Wikipedia summed him up, perfectly: “[He] combines Morrissey’s homoerotic posturing with David Bowie’s glam theatrics”
I love the band because when listening to them, feeling a bit regretful and lousy, they manage to translate every bad decision I’ve made into something beautiful and otherwordly, + *spoiler alert*AND THAT IS THE BEST THING WITH GLAM ROCK!!!*
Bowie, Bolan – it’s all about glitter, glitter in excess, excess, theatricality, making mistakes but turning those bad feelings into something else. It’s about saying, I’m gonna put on a show for you guys because life can be humdrum and monochrome at the best of times so we may as well make a big deal of it. Then, all of a sudden: pastel colours look simply washed out- what you thought were neutrals ‘beiges, creams, whites’ are replaced with the real essentials: ‘leopard print, sparkly silver, red, shiny black’ – and bam! You are in a good place, amongst friends.
Digressing (as per), but for me, the way DB wrote Starman ‘which had shaken everyone with its somewhere-over-the-rainbow chorus…’ – as Morrissey puts it in his Autobioraphy as well as ‘he is a Wildean visionary about to remould England’ – which always makes me smile as it’s lovely to see how musical influences all link together. (really digressing now)
I suppose Morrissey is not totally regarded as a glam-rock icon, but he was intrigued with the ambigious sexuality of the movement with Bowie, T.rex and particualrly the New York Dolls for instance. He also adored the gender-less nature of Patti Smith, and writes of her chef d’oeuvre, Horses, ‘[it] told me that, however heavy-hearted and impossible you might feel about yourself, you can still bestow love through recorded song.’…The fact that you don’t look like a pop star in waiting should not dishearten you because your oddness could be the deciding wind of change for others.’
The first Suede album I came across was ‘Coming Up- my dad handed me the CD and said, “listen to Track 9”, and I did- for a very long time over & over and it has actually inspired a lot of my little writing pieces over the last few years.
“Oh, we are young and not tired of it, we are young and easily led , oh – with all the kids getting out of their heads.”
I am growing sleepier (you don’t even know how long its taken me to write this post – today has been very delayed and mellow) – so I will leave you with a few more songs to hear, if you can handle the barrage on all of the senses.
“Shaved heads, raveheads, on the pill, got too much time to kill.”
“What does it take to turn you on now he has gone?”
“Sunshine will blow your mind, and the wind blow your brain.”
So good, so good.
Oh, so good.